Robert Aldrich

  • a.k.a. Robert Burgess Aldrich
  • 로버트 알드리치

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Robert Aldrich was an American film director, writer and producer, notable for such films as Kiss Me Deadly (1955), The Big Knife (1955), What Ever Happened to Baby Jane? (1962), The Dirty Dozen (1967). Born in Cranston, Rhode Island, the son of Lora Lawson and newspaper publisher Edward Burgess Aldrich. He was a grandson of U.S. Senator Nelson W. Aldrich and a cousin of Nelson Rockefeller. He studied economics at the University of Virginia. In 1941, he dropped out of college for a $50-a-week job at RKO Radio Pictures. In doing so, he was also dropped by his family, losing a potential stake in Chase Bank he would have inherited. It's been said that "No American film director was born as wealthy as Aldrich—and then so thoroughly cut off from family money." He quickly rose in film production as an assistant director, and worked with Jean Renoir, Abraham Polonsky, Robert Rossen, Joseph Losey and Charlie Chaplin as an assistant on Limelight. He became a television director in the 1950s, directing his first feature film, Big Leaguer, in 1953. During the 1950s, Aldrich directed mostly action films like Apache and Vera Cruz with Burt Lancaster. Aldrich soon gained recognition as an auteur filmmaker, depicting his liberal humanist thematic vision in many genres, in films such as Kiss Me Deadly (1955), a film noir classic, The Big Knife (1955), an adaptation of Clifford Odets's play about Hollywood business, and Attack (1956), a WWII infantry combat film exploring how U.S. Army careerism determined who attacked and who ordered the attack. In the 1960s, he directed several commercially successful films, such as the gothic horror stories What Ever Happened to Baby Jane? (1962), with Bette Davis and Joan Crawford as spiteful sisters and faded child-actresses, Hush… Hush, Sweet Charlotte, with Bette Davis as a Southern woman who lives in a mansion and thinks she is going insane (both Joan Crawford and Davis were to appear, but Crawford left the film); the controversial The Killing of Sister George (1968); and the hugely popular war film The Dirty Dozen (1967). The success of The Dirty Dozen allowed him to establish his own production studio for some time, but several failures forced his return to conventionally commercial Hollywood films. Nevertheless, his humanism is evident in The Longest Yard (1974), about the rigged-game politics, and Ulzana's Raid (1972) an uncompromising film based on the real life break-out from an Indian reservation of a band led by chief Ulzana, the extreme violence and torture they exacted upon isolated pioneer families in the Arizona territory, and their pursuit by the US cavalry. From his marriage to Harriet Foster (1941–65), Robert Aldrich had four children, all of whom work in the film business: Adell, William, Alida and Kelly. Aldrich died of kidney failure on December 5, 1983 in a Los Angeles hospital. Film critic John Patterson summarized his career in 2012: "He was a punchy, caustic, macho and pessimistic director, who depicted corruption and evil unflinchingly, and pushed limits on violence throughout his career. His aggressive and pugnacious film-making style, often crass and crude, but never less than utterly vital and alive, warrants – and will richly reward – your immediate attention."

France French (Français)

Robert Aldrich est un réalisateur, scénariste et producteur américain né le 9 août 1918 à Cranston (Rhode Island) et mort le 5 décembre 1983 à Los Angeles (Californie). Il s'est fait connaître par des films tels que Vera Cruz (1954), En quatrième vitesse (1955), Le grand couteau (1955), Feuilles d'automne (1956), Attaque (1956), Qu'est-il arrivé à Baby Jane? (1962), Chut... chut, chère Charlotte (1964), Le vol du Phoenix (1965), Les Douze Salopards (1967) et Plein la gueule (1974), films considérés comme ayant contribué au renouvellement de différents genres cinématographiques: westerns, films policiers, films d'action, drames sociaux. Robert Burgess Aldrich est né dans une famille fortunée. Il est le fils de Lora Elsie (née Lawson) issue d'une famille autrichienne de confession juive et de Edward Burgess Aldrich, patron de presse de Rhodes Island et personnalité politique du Parti républicain, par ailleurs, il est le neveu de John D. Rockefeller. Après ses études secondaires à la Moses Brown School, de Providence, il suit des études de droit et d’économie à l'Université de Virginie. En 1941, il abandonne ses études universitaires avant d'obtenir son diplôme, car peu intéressé par une carrière dans la finance et en conflit avec sa famille à cause de ses sympathies pour les idées de la gauche américaine. En 1941, après son mariage avec Harriet Foster, il part pour Hollywood, et grâce à une recommandation de son oncle Winthrop W. Aldrich, dont le fils travaille à la RKO, il se fait embaucher par la RKO Pictures; sa formation lui permet d’accéder à un poste à l'administration de la production. Son entrée dans le monde du cinéma est désapprouvée par sa famille qui le déshérite. En 1942, il passe de l'administration de la production à la gestion logistique des films en devenant second assistant réalisateur, ce qui lui permet de travailler auprès de Robert Stevenson, Irving Reis, Richard Wallace, Edward Dmytryk, William A. Seiter, Leslie Goodwins, John H. Auer, etc., et d'observer leur manière de faire. Pendant la Seconde Guerre mondiale, il est réformé pour des séquelles d'une blessure au genou. Le manque de main-d'œuvre à Hollywood lui permet d'accéder au poste de premier assistant réalisateur sur des courts métrages. Il quitte la RKO Pictures en 1944 pour travailler aux The Enterprise Studios jusqu'à son rachat par la Metro Goldwyn Mayer en 1948. Pendant cette période il assiste Jean Renoir (L'Homme du sud, 1945), William A. Wellman (Les forçats de la gloire, 1945), Leslie Fenton (Pardon my past, 1945), Albert Lewin (The Private Affairs of Bel Ami, 1947), Robert Rossen (Sang et or, 1947), Lewis Milestone (Arc de triomphe, 1948), Richard Fleischer (So This Is New York, 1948), Abraham Polonsky (L'enfer de la corruption, 1948), Max Ophüls (Pris au piège, 1949). ... Source: Article "Robert Aldrich" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.

Gender
male
Date of Birth
Place of Birth
Cranston, Rhode Island, USA
Date of Death
()

Credits

Crew

DepartmentJobMovie / TV ShowGenresReleaseRating
DirectingAssistant DirectorLimelight79% · 492
All credits on TMDb.org.