Timeless · Episode 2x9 'The General / Chinatown'
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When the Mothership jumps to South Carolina in 1863, the Time Team partners up with a courageous Union spy and military leader, Harriet Tubman - AKA "The General" - to thwart Rittenhouse's plan to alter the outcome of the Civil War. Back in the present, Rittenhouse hits the team where it hurts the most. Then, Jiya makes a daring escape from Rittenhouse that strands her in San Francisco's Chinatown in 1888 with no way home.
German (Deutsch)
Das Rettungsboot springt zum amerikanischen Bürgerkrieg, um Harriet Tubman bei der Sklavenbefreiung zu unterstützen. Jiya will unbedingt mehr über ihre Visionen erfahren. Das Team versucht verzweifelt, das Rettungsboot zu reparieren, um nach San Francisco im Jahr 1888 zu springen und eine Person aus den eigenen Reihen zu retten.
German (Deutsch)
Als das Mutterschiff im Jahr 1863 nach South Carolina springt, verbündet sich das Time Team mit einem mutigen Unionsspion und Militärführer, Harriet Tubman - AKA "The General" -, um Rittenhouses Plan zur Änderung des Ergebnisses des Bürgerkriegs zu vereiteln. Zurück in der Gegenwart schlägt Rittenhouse das Team dort, wo es am meisten wehtut. Dann flieht Jiya aus Rittenhouse, das sie 1888 in San Franciscos Chinatown ohne Heimweg begleitet.
German (Deutsch)
Das Rettungsboot springt zum amerikanischen Bürgerkrieg, um Harriet Tubman bei der Sklavenbefreiung zu unterstützen. Jiya will unbedingt mehr über ihre Visionen erfahren. Das Team versucht verzweifelt, das Rettungsboot zu reparieren, um nach San Francisco im Jahr 1888 zu springen und eine Person aus den eigenen Reihen zu retten.
French (Français)
LE GÉNÉRAL - L'équipe s'associe à Harriet Tubman pour contrecarrer le plan de Rittenhouse qui consiste à modifier l'issue de la guerre civile. CHINATOWN - Jiya s'échappe de Rittenhouse mais se retrouve en 1888 sans aucun moyen de rentrer à la maison; l'équipe revient pour la sauver.
Italian (Italiano)
La Scialuppa si dirige verso la guerra civile per cercare di aiutare Harriet Tubman a liberare gli schiavi delle piantagioni. Jiya vuole sapere di più sulle sue visioni. La squadra cerca faticosamente di riparare la Scialuppa per andare a San Francisco nel 1888 e salvare uno dei suoi.
- First Aired
- Ratings
- TMDb 77% · 9 (more information on website)
- IMDb 83% · 1,230 (more information on website)
Cast
| Character | Person |
|---|---|
| Lucy Preston | Abigail Spencer |
| MSG Wyatt Logan | Matt Lanter |
| Rufus Carlin | Malcolm Barrett |
| Garcia Flynn | Goran Visnjic |
| Connor Mason | Paterson Joseph |
| Agent Denise Christopher | Sakina Jaffrey |
| Jiya | Claudia Doumit |
Guest Stars
| Character | Person |
|---|---|
| Carol Preston | Susanna Thompson |
| Emma Whitmore | Annie Wersching |
| Nicholas Keynes | Michael Rady |
| Jessica Logan | Tonya Glanz |
| Harriet Tubman | Christine Horn |
| Stanley Fisher | Terry Maratos |
| Fei Yunshan | Megan Liu |
| Feng Yushan | Evan Lai |
| Colonel Ryerson | Kevin Sizemore |
| Colonel Montgomery | Ben Bowen |
| Captain Nevins | Brad Gage |
| Plantation Owner | John Deignan |
| Samuel | Ethan Drake Davis |
| Nancy | Kristen Marie Kelly |
| Isaiah | Tarnue Massaquoi |
| Slave Catcher | Scott Vance |
| Dying Union Soldier | Conphidance |
| Young Confederate Soldier | Adam Weber |
| White Man | JF Davis |
| Waylon FKA Angry Gambler | Darren Darnborough |
| Doug the Goon | Skyler Millicano |
| Jimmy the Goon | Erik Audé |
Crew
| Department | Job | Person |
|---|---|---|
| Art | Art Direction | Kevin Gilbert |
| Stephanie J. Gordon | ||
| Production Design | John Zachary | |
| Property Master | John Harrington | |
| Set Decoration | Dena Allen | |
| Set Designer | Douglas Berkeley | |
| Camera | Director of Photography | Darren Genet |
| Nathaniel Goodman | ||
| Key Grip | Michael P. Catanzarite | |
| Costume & Make-Up | Hair Department Head | Jeanie Duronslet |
| Makeup Department Head | Debbie Zoller | |
| Crew | Post Production Supervisor | Angela Rivadeneyra |
| Transportation Co-Captain | John Bojorquez | |
| Transportation Coordinator | Brandon Handt | |
| Visual Effects Editor | Dane Collier | |
| Directing | Director | Greg Beeman |
| John F. Showalter | ||
| First Assistant Director | Maximillian D. Day | |
| Sean Hobin | ||
| Script Coordinator | Debbie Ezer | |
| Script Supervisor | Faye Brenner | |
| Second Assistant Director | Amy B. Hughes | |
| Steven Hacker | ||
| Editing | Assistant Editor | Nancy Hurley |
| Editor | Dave Kaldor | |
| Nicole Baer | ||
| William W. Rubenstein | ||
| Lighting | Gaffer | Larry Sushinski |
| Production | Assistant Production Coordinator | Meg Becker |
| Associate Producer | Andrés Anglade | |
| Lee A. Frost | ||
| Casting Associate | Tara David | |
| Co-Executive Producer | Matt Whitney | |
| Co-Producer | Dustin Bernard | |
| Executive Producer | Don Kurt | |
| Greg Beeman | ||
| Tom Smuts | ||
| First Assistant Accountant | Kristi Le | |
| Location Manager | Jared Kurt | |
| Production Accountant | Carol Marie | |
| Production Coordinator | Stan Szewczyk | |
| Supervising Producer | Jim Barnes | |
| Lana Cho | ||
| Unit Production Manager | Dustin Bernard | |
| Sound | Boom Operator | Michael Piotrowski |
| Music Editor | Sean McGuire | |
| Production Sound Mixer | Joe Foglia | |
| Sound Re-Recording Mixer | Gary C. Bourgeois | |
| Visual Effects | Special Effects Supervisor | Ryan Senecal |
| Visual Effects Supervisor | Stephen Fleet | |
| Writing | Writer | Matt Whitney |
| Nancy Baird | ||
| Tom Smuts | ||
| Writers' Assistant | Ananya Menon | |
| Logan Ritchey |