Movie 'Inside Man'
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It looked like the perfect bank robbery. But you can’t judge a crime by its cover.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
German (Deutsch)
Ein Polizist jagt einen Bankräuber, der ihm immer einen Schritt voraus ist. Als sich noch eine Anwältin einmischt, entwickelt sich ein gefährliches Katz-und-Maus-Spiel.
German (Deutsch)
New York Cop Keith Frazier muss sich Anschuldigungen aus den eigenen Reihen erwehren, als er und sein Partner zu einem Banküberfall in der Innenstadt gerufen werden. Dort müssen die Cops erkennen, dass der Bankräuber Dalton Russel einen perfekten Plan ausgetüftelt hat und auf alle Eventualitäten vorbereitet ist. Eine besondere Rolle beim darauffolgenden Katz-und-Maus-Spiel kommt der Anwältin Madeleine White zu.
German (Deutsch)
Ein Polizist jagt einen Bankräuber, der ihm immer einen Schritt voraus ist. Als sich noch eine Anwältin einmischt, entwickelt sich ein gefährliches Katz-und-Maus-Spiel.
French (Français)
- a.k.a. Insideman
- Inside Man - L'Homme de l'intérieur
Ce devait être le hold-up parfait, le chef-d’œuvre d'un génie du crime. Le décor: une grande banque de Manhattan. Les protagonistes: un commando masqué, cagoulé, lunetté et des dizaines d'otages affolés, contraints de revêtir la même combinaison passe-partout que les braqueurs. L'enjeu: la salle des coffres et ses trésors? Ou un vieux secret dont seules 2 personnes connaissent l'importance? Aujourd'hui, confiné dans une cellule, le cerveau de la bande s'explique. Mais attention, chaque mot compte, et aucun indice ne vous sera livré au hasard. Prêts? Ce matin-là, donc, 4 peintres en bâtiment franchissaient le seuil de la Manhattan Trust Bank…
Italian (Italiano)
Quattro persone vestite da imbianchini entrano nell'affollata hall del Manhattan Trust, una succursale di un'istituzione finanziaria internazionale a Wall Street. Nel giro di pochi secondi, i rapinatori mascherati mettono la banca sotto un assedio pianificato con chirurgica precisione, e i 50 tra clienti e impiegati diventano involontari ostaggi di un furto inattaccabile.
Part of Inside Man Collection
Inside Man is a 2006 American heist thriller film directed by Spike Lee and written by Russell Gewirtz. It centers on an elaborate bank heist on Wall Street over a 24-hour period. The film stars Denzel Washington as Detective Keith Frazier, the NYPD's hostage negotiator, Clive Owen as Dalton Russell, the mastermind who orchestrates the heist, and Jodie Foster as Madeleine White, a Manhattan power broker who becomes involved at the request of the bank's founder, Arthur Case (Christopher Plummer), to keep something in his safe deposit box protected from the robbers. In 2019, a sequel titled Inside Man: Most Wanted was released direct-to-video and streaming on Netflix.
Inside Man owned
- Release Date:
- Rating: 74% · 5,559
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
Inside Man: Most Wanted not owned
- Release Date:
- Rating: 65% · 263
An NYPD hostage negotiator teams up with a federal agent to rescue dozens of tourists held hostage during a 10-hour seige at the U.S. Federal Reserve.
- Release Date
- Runtime
- Keywords
- anti-semitism
- bank
- bank manager
- bank robbery
- bank vault
- court case
- crooked banker
- dark past
- financial transactions
- heist
- hostage
- hostage situation
- kidnapping
- manhattan, new york city
- nazi
- new york city
- police detective
- public figure
- secret
- secret past
- ultimatum
- Genres
- Crime
- Drama
- Thriller
- Languages
- English
- Albanian (shqip)
- Origin Countries
United States of America- Production Countries
- United States of America
- Production Companies
- 40 Acres and a Mule Filmworks
- Imagine Entertainment
- Universal Pictures
- Release Dates
- Premiere New York City, New York
German (Deutsch): Theatrical
Theatrical 12
Theatrical
Theatrical
Theatrical 15- Theatrical R
Theatrical MA15+- Italian (Italiano): Theatrical
Theatrical
Premiere 12 Cognac Film Festival- French (Français): Theatrical
- Theatrical
- Physical 12
- Physical DVD
- Physical Blu-Ray
- Digital VOD
- Digital Prime Video
- Digital Netflix
- Ratings
- TMDb 74% · 5,558 (more information on website)
- IMDb 76% · 396,576 (more information on website)
- Rotten Tomatoes® 86% (more information on website)
- metacritic 76% (more information on website)
Cast
Crew
| Department | Job | Person |
|---|---|---|
| Art | Art Department Coordinator | Leann Murphy |
| Art Direction | Chris Shriver | |
| Assistant Art Director | James C. Feng | |
| Assistant Property Master | Ross Huttick | |
| Construction Coordinator | Martin Bernstein | |
| Construction Foreman | Timothy Main | |
| Construction Grip | Arne Olsen | |
| Key Construction Grip | Vincent Guarriello | |
| Location Scout | Guy Efrat | |
| Production Design | Wynn Thomas | |
| Property Master | Michael Saccio | |
| Props | James Klotsas | |
| Set Decoration | George DeTitta Jr. | |
| Set Decoration Buyer | Dan DeTitta | |
| Set Dresser | Gabu Camilo | |
| Shop Electric | Allen Stillman | |
| Storyboard Artist | Dan Maslen | |
| Title Designer | Randall Balsmeyer | |
| Camera | "A" Camera Operator | Stephen Consentino |
| Assistant Camera | Ethan Borsuk | |
| Best Boy Grip | Terrence Laron Burke | |
| Camera Loader | Pierson Silver | |
| Camera Operator | Ricardo Sarmiento | |
| Camera Production Assistant | James Parsons | |
| Director of Photography | Matthew Libatique | |
| Dolly Grip | Kurt Rimmel | |
| First Assistant Camera | Pyare Fortunato | |
| Grip | Tony Arnaud | |
| Key Grip | Lamont Crawford | |
| Steadicam Operator | Stephen Consentino | |
| Still Photographer | David Lee | |
| Costume & Make-Up | Ager/Dyer | Meg Thornton |
| Assistant Costume Designer | Laura Sewrey | |
| Costume Assistant | Tsigie White | |
| Costume Design | Donna Berwick | |
| Costume Supervisor | Paul A. Simmons Jr. | |
| Costumer | Careen Fowles | |
| Key Hair Stylist | Kenneth Walker | |
| Key Makeup Artist | Anita Gibson | |
| Makeup Artist | Patricia Regan | |
| Seamstress | Colleen Morris-Glennon | |
| Crew | Armorer | Ryder Washburn |
| Carpenter | Robert Antalocy | |
| Charge Scenic Artist | Jeffrey L. Glave | |
| Craft Service | William Sepulveda | |
| Dialect Coach | Carla Meyer | |
| Intern | Bridgett Brown | |
| Post Production Supervisor | Susan Lazarus | |
| Set Production Assistant | Nicholas Brown | |
| Special Effects Assistant | Fred Buchholz | |
| Special Effects Technician | Devin Maggio | |
| Stand In | James Hook | |
| Stunt Coordinator | Jeff Ward | |
| Stunts | Jodi Michelle Pynn | |
| Linton Alfred | ||
| Transportation Captain | Gene O'Neill | |
| Transportation Co-Captain | John Canavan | |
| Unit Publicist | Jackie Bazan | |
| Video Assist Operator | Max Frankston | |
| Directing | Continuity | Shari L. Carpenter |
| Director | Spike Lee | |
| First Assistant Director | Mike Ellis | |
| Second Assistant Director | Tracey Hinds | |
| Second Second Assistant Director | Rodney "Bear" Jackson | |
| Editing | Additional Editing | Sam Pollard |
| Assistant Editor | Alex Jablonski | |
| Digital Intermediate Editor | Curtis Lindersmith | |
| Digital Intermediate Producer | Terra Bliss | |
| Editor | Barry Alexander Brown | |
| First Assistant Editor | Ryan Denmark | |
| Negative Cutter | Paul Tanzillo Jr. | |
| Lighting | Best Boy Electric | Darrin Smith |
| Electrician | Justin Cheatham | |
| Gaffer | John G. Velez | |
| Rigging Gaffer | Bill Almeida | |
| Rigging Grip | Justin Panzanaro | |
| Production | Art Department Production Assistant | Carmen Cárdenas |
| Assistant Location Manager | Jean Chien | |
| Assistant Production Coordinator | Kim Jackson | |
| Casting | Kim Taylor-Coleman | |
| Casting Assistant | Eve Streger | |
| Co-Producer | Jonathan Filley | |
| Executive Producer | Daniel M. Rosenberg | |
| Jon Kilik | ||
| Karen Kehela Sherwood | ||
| Kim Roth | ||
| Extras Casting Assistant | Mo Link | |
| Location Assistant | Beth Avery | |
| Location Manager | Joseph White | |
| Payroll Accountant | Victoria Brown McCready | |
| Post Production Accountant | Yana Collins Lehman | |
| Producer | Brian Grazer | |
| Production Accountant | Mike Phillips | |
| Production Assistant | Jill Fazzolare | |
| Production Coordinator | Diana E. Latham | |
| Production Manager | Miguel Ángel Poveda | |
| Production Supervisor | Colin Cumberbatch | |
| Publicist | Evelyn Santana | |
| Second Assistant Accountant | Jennifer Gaston-Gates | |
| Unit Production Manager | Jonathan Filley | |
| Sound | ADR Editor | Marissa Littlefield |
| ADR Engineer | David Boulton | |
| ADR Mixer | Dicken Berglund | |
| ADR Recordist | Carlie Bergman | |
| Additional Sound Re-Recording Mixer | Bob Chefalas | |
| Apprentice Sound Editor | Sara Stern | |
| Assistant Sound Editor | Chris Fielder | |
| Boom Operator | George Leong | |
| Dialogue Editor | Fred Rosenberg | |
| Foley Artist | Marko Costanzo | |
| Foley Editor | Jamie Baker | |
| Foley Mixer | Sean Garnhart | |
| Foley Supervisor | Frank Kern | |
| Musician | Mark Adams | |
| Orchestrator | Howard Drossin | |
| Original Music Composer | Terence Blanchard | |
| Production Sound Mixer | William Sarokin | |
| Sound Effects Designer | Eugene Gearty | |
| Sound Effects Editor | Allan Zaleski | |
| Supervising Music Editor | Todd Bozung | |
| Supervising Sound Editor | Philip Stockton | |
| Visual Effects | Digital Compositor | Ella Boliver |
| Special Effects Supervisor | Steven Kirshoff | |
| Writing | Writer | Russell Gewirtz |