Mathew Krentz
- a.k.a. Matt Krentz
- Mat Krent
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Mathew Krentz's capacity for creating captivating imagery spans film and episodic work and has proved capable of immersing audiences into compelling, believable worlds, whatever the story or the medium. His multidisciplinary background covers everything from on-set production to post, with particular specialisations in composing and quality control. His 20-year career has seen Mathew hone his skillset on a wide range of major productions, including several seasons of Game of Thrones and Fantastic Beasts: The Crimes of Grindelwald. His work on The Collector was recognised with a Leo Award for Best Visual Effects in a Dramatic Series, while his composing for The DaVinci Code was nominated for a VES Award. Mathew's work includes Sopranos prequel The Many Saints of Newark and numerous projects for Apple TV+, including For All Mankind, The Kitchen, and Triple Frontier. Matthew also supervised the Gal Gadot spy thriller Heart of Stone for Netflix. Information above via their homepage,
- Gender
- male
- Date of Birth
- ()
- Place of Birth
- Maple Ridge, British Columbia, Canada
Credits
Crew
Department | Job | Movie / TV Show | Genres | Release | Rating |
---|---|---|---|---|---|
Visual Effects | Compositing Artist | Alice in Wonderland | 66% · 13,902 | ||
Garfield: A Tail of Two Kitties | 56% · 2,174 | ||||
Garfield | 57% · 3,975 | ||||
Compositing Lead | The Da Vinci Code | 67% · 9,246 | |||
Compositing Supervisor | Blades of Glory | 61% · 1,737 | |||
Digital Compositor | Star Trek | 74% · 9,811 | |||
Elektra | 50% · 2,411 | ||||
Visual Effects Supervisor | Heart of Stone | 68% · 1,671 | |||
The New Mutants | 61% · 3,398 | ||||
The Interview | 62% · 5,735 |